SG Lewis: 'times'
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* Policy is subject to change
This event is all ages.
$29.50 – General Admission Floor
$29.50 – Reserved Balcony
*plus applicable service fees
For an additional $60.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
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Earlier this year, we saw the release of SG Lewis’ DEBUT album ‘times’, fuelled by the longstanding love of disco and created with a renewed focus on SG as a performer and artist as well as producer –“I’m as much influenced by the mindset and the euphoria of disco as the actual sound of the music,” he says now. “There’s a magic in the room when you play those records. It’s addictive.”
‘times’ was launched last year when the single ‘Chemicals’ a soaring, funk-driven track entirely performed and sung by SG himself. SG then released his second single from the debut album campaign called ‘Impact’ which features Robyn & Channel Tres. Later followed by Feed The Fire with Lucky Daye and then One More with the legendary Nile Rodgers.
SG has previously collaborated with Col3trane, Raye, Ray BLK, The Neptunes / N.E.R.D’s Chad Hugo, Gerd Janson, Conducta and more as well as producing ‘Hallucinate’ on Dua Lipa’s record-smashing album Future Nostalgia and Dave’s ‘100M’s’ proving his worth as one of the most versatile and prolific musicians from the UK.
“Do you feel what I feel too?” Brijean Murphy floats the question at the start of Feelings, the full-length Ghostly International debut from Brijean, her collaborative project with Doug Stuart. Guided by a lush mix of charismatic keyboard chords, grooving bass lines, and radiant bongo-driven rhythms, the “Day Dreaming” lyric doubles as an invitation and a statement of intention. Brijean want you to move, physically, mentally, dimensionally; this is dance music for the mind, body, and soul. With Feelings, they’ve manifested a gentle collective space for respite, for self-reflection, for self-care, for uninhibited imagination and new possibilities. The album cultivates a specific vibe, a softness Murphy has come to call “romancing the psyche.”
Growing up in a family immersed in jazz, Latin and soul music, Murphy would become an accomplished DJ, session and live player in Oakland’s diverse music scene and one of indie’s most in-demand percussionists (Poolside, Toro Y Moi, U.S. Girls). In 2018, she began recording songs with multi-instrumentalist and producer Doug Stuart, who shares a background in jazz and pop in bands such as Bells Atlas, Meernaa, and Luke Temple. Following their first sessions, which resulted in the mini-album Walkie Talkie (released in 2019 on Native Cat Recordings), the duo continued freeform hangs in Oakland, inviting friends Chaz Bear, Tony Peppers, and Hamir Atwal.
The leap from Walkie Talkie to Feelings is marked by a notable expanse in range and energy. Brijean’s signature sound — a golden-hued dream pop tropicalia of dazzling beats and honeyed vocals — elevates with the addition of live drummers, strings, and synths. Murphy calls the charming “Hey Boy” a “psychedelic guide — the exploration of finding what feels good — through sorrow, anxiety, apathy.” This mentality applies to Feelings on the whole: in these nebulous and verdant worlds of hazy melodies, feathery hooks, and percussive details, the songs simply want us to feel alive. They radiate in wonderful abandon and with a sense of devotion to the self.