Fox Theater

KING DIAMOND is quite possibly the most recognizable and prolific personality ever in heavy metal. Revered by icons as big as Metallica and Pantera to inspiring new upstarts like Goatwhore; KING DIAMOND, the man and the band, have left an indelible mark on the history, and now again, the future of heavy metal.

In August of 2008, KING DIAMOND joined Metallica on stage at Ozzfest in Dallas to perform the Mercyful Fate medley made famous from the Garage, Inc. album. Additionally, KING DIAMOND was featured alongside Motorhead’s Lemmy Kilmister as a playable character in Guitar Hero: Metallica in 2009.

By 2012, KING DIAMOND was prepared to return to the stage for a select number of shows. The band’s triumphant return to the stage were the highlights of both the Hellfest and Sweden Rock festivals in France and Sweden. Fans at these festivals were treated to the largest and most involved stage production in the band’s storied history. Horror concepts from multiple albums were used in the décor; fans can rest-assured that this show will only get larger and more impressive at future performances.

KING DIAMOND continued to hit the stage from 2013 to 2018 including performances at Rock Hard Festival (DE), Copenhell (DK), Graspop (BE), Metal Days (SI), Bloodstock Open Air (UK), Loudpark (JP), Wacken Open Air (DE), a 2014 North American tour with Jess and the Ancient Ones, Fun Fun Fun Fest (US), toured as a part of the 2015 Mayhem Festival in the summer (US), a fall 2015 North American tour with Exodus as special guests, Sweden Rock fest (SE), Hellfest (FR),and Psycho Las Vegas (US).

In 2019, after the release of the KING DIAMOND’S first new single in 12 years “Masquerade of Madness”, the band hit the road with a series of live shows in Europe including stops at Summer Breeze festival (DE), Graspop (BE), Hellfest (FR), Rock Fest (ES), and with Uncle Acid & the Deadbeats and Idle Hands as special guests for 19 dates across North America.

KING DIAMOND’s 30+ year musical career is one of the most storied in history of heavy metal, but the tale is not yet over. The most recent release, 2007′s Grammy nominated album Give Me Your Soul…Please, stands as one of the most critically-acclaimed albums in an already iconic discography. Future albums will feature entirely new horror stories, concepts, haunting orchestrations, and the band’s signature brand of heavy metal from the mind of KING DIAMOND and the talented group of musicians: Andy LaRocque – Guitar, Mike Wead – Guitar, Pontus Egberg – Bass, Matt Thompson – Drums. Many more albums, tours, and ventures lay ahead.

In an age where music is available instantly and bands appear and fade just as quickly, the power and resiliency that is OVERKILL who’s initial social media was stuffing show flier ads under windshield wipers in the 80s, has remained as resolute as ever, and even more so. New frontiers aren’t often conquered in the modern world of heavy metal, yet OVERKILL remain unfazed by the growing presence of social media, modern internet, a demand for streaming services, and a general sense of competition between the sea of other metal bands trying to make a name for themselves, today.

It’s with over 30 years under their leather belts that these New Jersey natives are prepared to unveil their latest offering: “The Wings Of War.” With 10 tracks and fifty one minutes long, their 19th full length album is the ultimate combination of sickening brutality and addictive melody. It was yet another incredible album cover design by Travis Smith that sparked the idea of what to name this next album. With 5 of the iconic Overkill winged skulls brooding powerfully around the table seemingly prepared for battle, “The Wings of War” simply rolled off the tongue.

With the fresh addition of seasoned drummer Jason Bittner, OVERKILL is experiencing a new chemistry this time around, truly giving the record a unique feel. The writing was funneled through its familiar foundation, but now had a fresh influence and energy that inspired the entire band. “We’ve never had an identity crisis,” says frontman Bobby Blitz, “but we still like raising an eyebrow from time to time!” Morphing into the modern day and taking advantage of the convenience of technological advances, this old school group of guys utilize technology for its instantaneous qualities that help fuel their momentum, and prevent the build up of stagnant ideas.

Although Bassist DD Verni and guitarist Dave Linsk have their own recording set up, OVERKILL goes out of house for their drum recording to longtime friend Joey De Maio of Shorefire Studios in Long Branch New Jersey, and for their vocals to Johnny Rod of Rockland County New York. The the real guitar work gets accomplished at DD’s studio, Blitz absorbs the sounds and fills in the guts with melodies, phonetics, dirty-sweet lyrics, and the songs develop organically.

Album opener “Last Man Standing” is OVERKILL kicking the door in with a hard and loud tune that’s rooted in some of the best angst that thrash possesses. Memories retained from this song are memories similar to the classic 80’s vibe but with a new-age mechanical feel that thoroughly updates it. This was also the first song recorded with newcomer Jason Bitner.
The album’s second single “Head Of A Pin” is a lyrical journey about disappointment and trust. Musically, the song comes across as “Black Sabbath on meth” proclaims Blitz. It intertwines riffs and vocal melodies that pick it up into a real pounder and create something truly special.

“The Wings Of War” also holds something to look forward to for east coast metal heads with a track entitled “Welcome To The Garden State.” Bobby Blitz explains: “It’s all about us. It’s the way we grew up as kids, it’s a certain attitude about the area, it’s responding to “we don’t do that where we’re from” with: “well guess what, you’re not where you’re from! You’re here, now!” The song sums up the New Jersey attitude with over 4 minutes of thrashy, punky, honest vibration, and defines OVERKILL, as well.

With at least the next six months already blocked off for a South American tour, followed by a European Tour and U.S. Tour, OVERKILL are on overdrive as usual with no signs of coming to a halt. This most recent cycle has a different feel; an old formula that evolved with new life and new breath and that after all these years, still generates an exquisite power.

Ventura, California’s heavy metal institution Night Demon return with their third full-length album, Outsider, via Century Media Records on March 17, 2023.

For more than a decade, Night Demon have defiantly flown the flag of traditional heavy metal, unwavering in the face of shifting industry trends and unscarred by global calamities. Even as they spent 2022 touring heavily worldwide in support of their compilation album, Year of the Demon, the trio consisting of Jarvis Leatherby (vocals/bass), Armand John Anthony (guitar) and Dusty Squires (drums) continued working tirelessly behind the scenes. The objective? To perfect their first collection of all-new material since 2017’s acclaimed Darkness Remains album. Make no mistake: Outsider represents Night Demon’s boldest,
most ambitious effort to date. Never content to rest on their laurels by rehashing past glories, the band have challenged themselves musically and lyrically, pushing creative boundaries and evolving their sound far beyond their NWOBHM-worshipping origins into something truly singular.

From a lyrical standpoint, Outsider marks Night Demon’s first full-blown concept album. To be sure, the band have always experimented with embedding thematic linkages between songs on each release, dating back to their 2015 debut album, Curse of the Damned. On Outsider, however, lyricist Jarvis Leatherby has dialed into a fully cohesive tale of alternate realities, mysterious portals, and the supernatural, intertwined with universal human feelings of alienation, loss, regret and revenge. Inspired by Leatherby’s lifelong affinity for horror movies as well as his pandemic-induced exile in the countryside of Northern Ireland, Outsider weaves a compelling yarn from its pastoral beginnings to its heart-pounding finale.

Of course, this kind of epic storytelling demands an equally expansive musical backdrop that ebbs and flows to convey the full emotional range of Outsider. To achieve that result, Night Demon have reimagined the band’s songwriting and arrangements by embracing progressive elements and a newfound sense of dynamics that lend the music a decidedly cinematic quality. Longtime fans should not be alarmed. Outsider sounds like Night Demon through and through. The songwriting is perhaps the catchiest in the band’s discography, boasting massive hooks such as those found on the earworm title track, which is also the lead single.

Elsewhere, there are plenty of adrenaline-fueled, headbanging moments on display in songs like the rollicking “Obsidian” and “Escape from Beyond,” with its searing guitar riffs, pounding drums, and urgent vocals. The difference this time lies in the peaks and valleys, the highs and lows. “Beyond the Grave” and “A Wake” showcase a somber dimension of Night Demon only hinted at on previous releases. The masterful closing track, “The Wrath,” encapsulates all of these dynamics in a roller coaster of wildly swinging emotions, tempos and feels.

Simply put, Night Demon take the listener on a journey with Outsider. It’s a heavy and intense ride, so buckle up. You may never be the same again. And Night Demon are breathlessly awaiting the opportunity to bring Outsider to life on stages all over the world. Plans are afoot to perform the album live in its entirety when time and logistics allow, so keep your eyes peeled for dates at a city near you. Don’t wander in the dark, because Night Demon will find you.