$40.50 – General Admission Floor
$40.50 – Reserved Balcony
*plus applicable service fees
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
For an additional $50.00, you can opt in to upgrade your experience to include VIP access to the exclusive Telegraph Room before, during and after the show!
Join us at The Den one hour before doors for Happy Hour!
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The social and political awareness that drives Flogging Molly’s music is never more prominent than in their upcoming new release LIFE IS GOOD – a strikingly powerful album and it arrives at a strikingly key time. The sixth studio album by the renowned Celtic-punk rockers now in their 20th year is mature, well crafted, equally polished and almost aggressively topical. It is filled with rousing songs that are timeless in their sentiment, but directly related to today’s most pressing concerns: Politics, the economy, unemployment, planned boomtowns gone bust, immigration policies gone awry, and much more.
Although recorded in Smith’s hometown of Los Angeles, where he grew up listening to the country twang of George Jones and the pissed-off punk of Bad Religion, Darkest Darks, Lightest Lights looks to the passion and punch of White Buffalo’s live shows for inspiration. Smith has been a road warrior for more than a decade, doubling as his own tour manager along the way. Gig after gig, he’s built a cult following without a major label’s support, boosting his band’s international visibility with more than a dozen TV-worthy songs — including the Emmy-nominated “Come Join the Murder” — that were featured on shows like Sons of Anarchy and Californication.
Island or not, Darkest Darks, Lightest Lights finds Smith reaching far beyond his own experience for a string of detailed, character-driven songs. Many of these tunes explore the gloomy, dangerous corners of America, spinning stories of sinners, crooks, bad decisions and broken hearts. On “Border Town/Bury Me in Baja,” a drug dealer awaits his death at the hands of the Mexican mafia. “Avalon,” a desperate, driving anthem worthy of Bruce Springsteen, finds its protagonist “wishing he could flip a switch [and] turn his life around.” “Nightstalker Blues” — an amped-up blast of harmonica-filled, guitar-fueled roots rock — revolves around the story of serial killer Richard Ramirez, whose murder spree haunted southern California during the mid-Eighties.
Together, Darkest Darks, Lightest Lights offers up the White Buffalo’s strongest material to date, doubling down on Smith’s strengths while pushing his sound into new territory. Stripped-down folk. Electrified swamp-soul. Heartland rock. Bluesy boogie-woogie. It’s all here, tied together by the super-sized vocals and articulate songwriting of a bandleader whose work is sometimes moody, sometimes menacing, but always melodic
“My hope is that this album will touch people,” he says. “Make people feel. The good, the bad, and the ugly. The darkest darks, and the lightest lights.”