$38.50 – General Admission Floor
$38.50 – Reserved Balcony
*plus applicable service fees
Every pair of tickets purchased online for Foals includes your choice of a CD or digital copy of the new album, Everything Not Saved Will Be Lost Pt.1, released on 3/8/19. You will receive instructions via email on how to redeem your album after ticket purchase.
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show!
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change
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Foals announce that they will return with two new albums in 2019: Everything Not Saved Will Be Lost – Part 1 & 2, a pair of releases, separate but related, they share a title, themes and artwork. ‘Part 1’ will be released on March 8th, with ‘Part 2’ following in the Autumn. From playing chaotic house parties in their home city of Oxford to becoming major festival headliners across Europe, Foals’ trajectory has been remarkable. They’ve earned critical acclaim (NME and Q Award wins, plus Mercury Prize, Ivor Novello and BRIT Award nominations) and fan devotion (1.7 million sales of their four Gold-certified albums, plus over half a billion streams at Spotify since 2015) in equal measure. Everything Not Saved Will Be Lost – Part 1 is now available to pre-order here, with lead single, “Exits,” provided as an instant download.
The band shares the music video for Everything Not Saved Will Be Lost – Part 1’s lead track, “Exits,” which was directed by Albert Moya, features actors Isaac Hempstead-Wright and Christa Théret, and was produced by CANADA. Watch it here.
Profoundly tethered but possessing their own personalities, the two forthcoming albums capture the most compelling, ambitious and cohesive creations that Foals – completed by Jimmy Smith (guitar), Jack Bevan (drums) and Edwin Congreave (keys) – have ever produced. “They’re two halves of the same locket,” frontman Yannis Philippakis explains. “They can be listened to and appreciated individually, but fundamentally, they are companion pieces.”Eager to break the traditional pop song structure which they felt they were becoming increasingly tapered to, the 20 tracks defy expectation. There are exploratory, progressive-tinged tracks which occasionally break the 10-minute mark alongside atmospheric segues which make the music an experience rather than a mere collection of songs. Yet the band’s renowned ability to wield relentless grooves with striking power also reaches new heights.
The albums’ lead single “Exits” is a case in point, featuring Philippakis conjuring the image of a disorienting world via a contagious vocal melody. It’s a fresh anthem for Foals’ formidable arsenal, but also an ominous forecast.
“There’s a definite idea about the world being no longer habitable in the way that it was,” says Yannis. “A kind of perilousness lack of predictability and a feeling of being overwhelmed by the magnitudes of the problems we face. What’s the response? And what’s the purpose of any response that one individual can have?”
“Exits” signposts what to expect thematically from Everything Not Saved Will Be Lost. The title is a warning that anything – from the tiniest fleeting moment of inspiration through to the planet’s own biological diversity – can be under threat of being irrevocably erased.
It’s a theme that permeates throughout the albums’ material, as Foals mirror the public neuroses that have been provoked by our current cultural climate. Paranoia of state surveillance? Fear of environmental collapse? An overwhelming feeling of anxiety? It’s all there in these apocalyptic songs.
It’s particularly evident in the euphoric “In Degrees” which imagines a future where your ability to talk to each other has been reduced to nothing. This approach is perhaps most vividly captured on ‘Syrups’, and the devastating closing pair of songs on Part 1, “Sunday” and “I’m Done With The World (& It’s Done With Me)”.
“Lyrically, there are resonances with what’s going on in the world at the moment,” summarises Yannis. “I just feel like, what’s the utility of being a musician these days, if you can’t engage with at least some of this stuff? These songs are white flags, or they’re SOSs, or they’re cries for help… each in a different way.”
The new albums’ journeys began as the What Went Down era ended. Founding bassist Walter Gervers departed on amicable terms after playing the Festival Paredes de Coura in Portugal in August 2017. Foals felt that he couldn’t be replaced – a decision that ushered in a period of recalibration, reorganisation and, ultimately, rejuvenation.
After taking a little time out, Foals reconvened with Yannis on production duties, who, together with Edwin, also covered the bass parts. They began by writing in a rehearsal space before exporting those sketches into the recording phase at 123 Studios, Peckham, London with the assistance of engineer Brett Shaw. They’d repeat the cycle between the two spaces, effectively creating an ongoing feedback loop as they sought to push every new idea to the finish line.