$37.50 – General Admission Floor
$37.50 – Reserved Balcony
*plus applicable service fees
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show!
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
Add this event to your calendar:
Over their twenty-year career they have managed to continually tweak and strive to perfect their formula, while neither straying too far off their path, nor resorting to playing it safe. Starting at 1997’s Overcast, the group’s first official album, and traveling through 18 years of new albums, side projects (e.g. the Sad Clown series and Felt), and various collaborations, all the way up until 2014’s Southsiders album, Atmosphere’s music has evolved in a way that differs from many of their peers and predecessors. A hard look at that evolution doesn’t reveal the commonalities of following trends or struggling to fit in, by either over-extending in an effort to stay cool to the younger generation, or succumbing to the pressure people tend to place on artists to maintain the same sound from album to album. Instead, the Atmosphere discography evolves in a natural way.
Undoubtedly, the impact of Atmosphere’s music has been the roots to their long-term success, but their continued rigorous touring and performance schedule has been the vessel for engraining these stories and the legacy of the music into their fan base. Early on in their careers, Atmosphere stepped beyond the genre lines and performed shows through out the Twin Cities with Rock bands, Punk Rock bands, and Jazz Ensembles. This was directly influenced by the fact that both of them were already fans of a wide range of music. Although this was a natural reaction to being a fan of the music, that experience also afforded Atmosphere, and their Rhymesayers peers, the opportunity to witness first-hand the D.I.Y ethos shared by some of these other musical movements. Atmosphere began to apply many of these tactics and work ethics to their growth, which was specifically influential in the development of Atmosphere’s approach to touring. These strategies found Atmosphere expanding their tours into cities that few, if any, Rap artists were including in their routing. The result is a storied connection between the artists and the listeners, which has grown into long-term Atmosphere fans passing down that experience to their children and so on, and thus continually ushering in a new generation of Atmosphere fans. Early on in their touring excursions, Atmosphere shows were noted in history for challenging the idea that Hip Hop audiences had to be filled exclusively with scowl-faced males fueled by ego and testosterone. Instead they created an environment that invited women to join in on the party. All of these factors have led to a fan base that ranges from ages 14-54 and beyond, and one that remains solid, as well as ever evolving.
As Atmosphere steps into their 21st year of making music, Slug & Ant show no signs of slowing, compromising or losing sight of their vision. Nor has time revealed any diminishing of those qualities that have brought them this far. As 2016 swung into gear, Atmosphere had already ended the previous year and led into another with a string of singles, and still have an abundance of music on the way, including their latest album, “Fishing Blues”. The title of the new album speaks directly to the sentiments that opened this bio; Is this the point in the career where Atmosphere chooses to step back, put up the Gone Fishin’ sign and reminisce about their successes? The answer, a resounding no, is found in the music, a collection of songs that both define and redefine the Atmosphere sound. Their passion and creative spark are as illuminate as ever. Slug and Ant still have plenty of stories to tell…
When Joshua Turner was a kid growing up in a dysfunctional home in Minneapolis there were two things that he’d turn to for comfort when his parents fought: the Fugees records he’d listen to on a loop to drown out their conflict and the atlas he’d pore over to pretend he was anywhere else. Today Turner’s all grown up, but his sources of childhood refuge continue to play an integral role in his life. In his spare time he draws maps for fun, and, under the name deM atlaS, he’s composing his emotionally complex hip-hop records aimed at listeners out in the world who are in need of some sonic solace of their own.
His new album Bad Actress is only the latest in a string of releases–including the 9-song EP DWNR that, according to Pitchfork, “splits the difference on ‘depressed’ and ‘party mode.’” In some ways the new work feels like a debut, not just because it’s his first proper LP, but because it represents the culmination of a twisting creative path that Turner’s patiently been following since his teens. He was a poet, a painter, and the frontman for a rock band before he found his space in Minneapolis’s prolific rap scene. Once there, a philosophy of saying yes to any opportunity that passed his way quickly led him from playing shows for nugs of weed to a showcase in front of Rhymesayers CEO Siddiq, and a single recording session with Atmosphere beatmaker Ant that kept going until they’d made almost an entire album together.
The title Bad Actress comes from Turner’s inability to hide his true feelings, and he’s packed the album with unguarded emotions centered around a lifetime of unhealthy relationships, struggles with mental illness, and an indomitable drive to overcome them. Musically it draws from every stage of Turner’s young career, from the high school rock singer to the scruffy DIY-er who self-recorded his Charle Brwn EP while figuring out the basics of Garageband to the confident, versatile vocalist he is today, equally at home crooning and screaming as he is rapping over beats by heavy hitters like Ant and MF DOOM.