In response to the recent recommendations of local, state and global health authorities and mandates by city and state government, Yaeji at Fox Theater originally scheduled for September 16th is postponed.
We are actively working to reschedule this show to a future time period. We hope to have that information to you soon. If you have purchased tickets for the original date, your tickets will be honored at the rescheduled date. Should you be unable to attend the new date, please go to place of purchase. Please check back on our website, APEConcerts.com, for the latest information and status of the show.
This event is all ages.
$33.50 – General Admission Floor
$33.50 – Reserved Balcony
*plus applicable service fees
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change
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Today NYC-via-Seoul electronic producer, DJ, and vocalist Yaeji has announced the release of a new mixtape titled WHAT WE DREW 우리가 그려왔던, due out April 2 on XL Recordings. To introduce the new project, her first full-length mixtape and release on XL, Yaeji has shared a new animated music video for the lead single “WAKING UP DOWN.” It’s also been announced that this Summer Yaeji will perform live across North America and Europe in which she’ll debut an all-new live show featuring dancers, original choreography and new stage production (full list of dates below).
Inspired by classic anime opening sequences and based entirely on Yaeji’s own original character designs and illustrations, the music video for “WAKING UP DOWN” was created by Yaeji with direction and further illustration by her close friend Annie Zhao and production by Studio Yotta. Entirely self-produced, the song walks the line between DIY pop and underground club music, with English and Korean lyrics about the simple euphoria of young adulthood. Throughout the song Yaeji celebrates the little things in life, small victories like staying on top of to-do lists, making home-cooked meals, and having empathy for others, while admitting these don’t come easy. In the end Yaeji, with the help of some friends in the form of “masters” of her daily tasks, achieves her final form as she reaches her goals.
WHAT WE DREW 우리가 그려왔던 is titled intentionally; for Yaeji, the title captures the spirit of the project as a whole which she explains, “is so much about friendship, family, gratitude and support – support that I’ve felt, that I’ve given, and that we all share.“ Produced entirely by Yaeji over the course of two years, she started writing the music for WHAT WE DREW with no specific narrative in mind, each track becoming a snippet of her life, a look into her diary. This total sense of freedom in her newly-built design and recording studio in Brooklyn allowed her to draw on a wide range of sounds, including the Korean indie rock and electronica that she listened to as a teenager in Seoul, and late ’90s and early 2000s hip hop and R&B she grew up listening to. The guests featured on the project represent her community in New York City and beyond, including Brooklyn-via-Oakland rapper Nappy Nina, London performance artist Victoria Sin, London producer Shy One, and Tokyo DJ and producer YonYon; tracks like “FREE INTERLUDE,” featuring Lil Fayo, trenchcoat, and Sweet Pea, capture the open and collaborative spirit of afternoons at Yaeji headquarters. Although the mixtape is much indebted to Yaeji’s newfound laser focused creative vision and self-taught production work, it’s largely informed by her network of close-knit collaborators and friends.
Since the release of Yaeji’s 2017 EP’s (Yaeji and EP2), which broke her out as one of the most exciting new voices in dance music, she’s produced remixes for Charlie XCX and Robyn, sold out two headlining worldwide tours, and was included on the BBC’s Sound of 2018 list. In the midst of her swift rise, she has remained devoted to New York’s underground dance music scene; in 2019, Yaeji curated and organized Elancia, a massive Brooklyn warehouse rave where she gave her favorite local parties headlining slots. An artist who many pegged as the one to watch, Yaeji now aims beyond expectations, with an eye toward the worlds of music production, visual art, game design and more.