$29.50 – General Admission Floor
$29.50 – Reserved Balcony
*plus applicable service fees
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show!
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
SOJA
Nearly two decades ago, SOJA began as high school friends in a D.C. area basement teaching each other to be musicians and play roots reggae music. Today, the 2x GRAMMY-nominated eight-piece band, with over 7 million online followers and over 300 million Youtube views, headlines concerts all over the world for their massive dedicated fanbase. Even with their continued success, SOJA always wants to remember their time together in that basement inspired by each other’s contributions and ideas. The feeling of true magic, collaboration and brotherhood that started it all is still evident today in their music and each night at their live concerts. For their latest studio album, Poetry In Motion (Oct 27 2017), it was essential for SOJA to consciously go back to the beginning and recapture that same sincere, collaborative magic sparked 20 years ago.
The album’s 11 tracks embrace reggae completely, focusing on what the genre does best. They referred often to their 2009 album, Born In Babylon, to remind them of where they came from and how they’d like to go forward. Poetry In Motion is the beginning of a chapter, but it’s also a return to the past. It’s a revitalization of what made SOJA so special to begin with. It’s about eight guys in one room making reggae music that truly means something.
“We’re going back to our roots and what we do best,” Jacob says. “We’re remembering why we started this band and the magic of what we’ve built. We were lucky enough to create our own family and we picked every brother by hand. This album feels like we’ve had an amazing family reunion. It’s a blueprint for our future.”
His ultimate goal with each song is simple. “How do I make the human condition come into this song?” he says. “How do I relate to the biggest family of all time? That’s all I’m ever really trying to do.”
SOJA’s energetic, impassioned live performances have a similar effect. Averaging around 120 shows a year for the last decade, SOJA has toured with acts that include Dave Matthews Band, 311 and Incubus, and engaged a massive international fan base of die-hard followers at festivals that include Bonnaroo, Hangout Festival, Wakarusa, Cali Roots, Summerjam Germany, Woodstock Poland, Personal Festival Argentina, Ziget Festival Hungry and many more. Their live shows offer people a chance to look both inward and outward, and feel part of a global community, particularly since SOJA has headlined shows in over 30 countries. For SOJA, everything is about connection, whether it’s with the world around them or within the band. “Nothing worth doing in life can you do by yourself,” Jacob notes. “We’re in this together.”
Twiddle
Every Last Leaf , the fifth full-length studio album from Vermont quartet Twiddle, is a bold exploration of the cyclical nature of life. Propelled by constant evolution in its 18 years touring, the band —Mihali Savoulidis [vocals, guitar], Ryan Dempsey [keys, organ, synth], Brook Jordan [drums], and Zdenek Gubb [bass], welcomes a musical rebirth, leaning heavily on enigmatically stoic songwriting in lieu of the affably saccharine. Longtime listeners can expect an elevated presentation of Twiddle’s trademark sound, delicately orbiting the worlds of funk, jazz, rock, reggae, and bluegrass.
“Every Last Leaf is a metaphor for life,” Mihali explains. “When a leaf falls to the ground, something will grow from it. Everything is part of this grand circle. In the music, we’re exploring all of life’s sides—from the sad and angry to the proud and happy.”
Known for jaw-dropping live performances, the group has repeatedly sold out some of the most legendary venues in the world, including Red Rocks Amphitheatre and Capitol Theatre. Plus, they’ve ignited festivals such as Bonnaroo and Electric Forest in addition to launching and headlining their own annual extravaganza Tumble Down Festival. Along the way, they have built a powerful catalog highlighted by the 2017 double-disc epic Plump (Chapters 1 & 2). Thus far, they’ve also gathered over 100 million streams and counting. Throughout 2021, Twiddle wrote and recorded Every Last Leaf. For the first time, they teamed up with producer Clint Bierman behind-the-board, recording in Sugar Shack, Mihali’s home studio, and Clint’s own spot.
“It was a blast,” smiles Mihali. “Having a good time was important to all of us. It was more relaxed with a lot less pressure. We’d never worked with a producer before. We tried it out with Clint, vibed with him, and went with it. We expanded the sound and added a lot of layers. There are also three- and four-part vocal harmonies, which we’ve never really done in the past. It was a different process.”
In the end, Twiddle have creatively found their way on Every Last Leaf.
“When you listen to this, I hope you experience the beauty we did,” he leaves off. “If you feel anything at all, mission accomplished. There are a lot of moments on this album that tie up the elements of life. It’s real.”
Xiuhtezcatl
The new wave of hip-hop has arisen a woke generation. From it, Xiuhtezcatl — seventeen-year-old Indigenous rapper and activist — has emerged, stirring the comatose with his music.
From performing at the Standing Rock encampment with Immortal Technique and Nahko, to leading the Youth v. Gov. lawsuit against the Federal Government, Xiuhtezcatl’s actions show his music is more than words.