A note from Another Planet Entertainment:
In response to the recent recommendations of local, state and global health authorities and mandates by city and state government, all Another Planet Entertainment events scheduled in March are postponed. This applies to March events at Bill Graham Civic Auditorium, Fox Theater-Oakland, The Independent, The New Parish, Chase Center, Marines’ Memorial Theatre, Reno’s Grand Sierra Theatre and Luther Burbank Center in Santa Rosa.
We are actively working to reschedule all affected dates to a future time period. We hope to have that information to you soon. If you have purchased tickets to any postponed event, your tickets will be honored at the rescheduled date. Should you be unable to attend the new date, or simply want a refund, please go to place of purchase. Please check our website, APEConcerts.com, often for the most recent updates on the status of our concerts.
Stay healthy and we look forward to bringing back the music soon.
This event is all ages.
$38.50 — General Admission Floor
$38.50 — Reserved Balcony
$48.50 — Reserved Balcony
*plus applicable service fees
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show! Please note all Telegraph Room upgrades are subject to availability.
Join us at The Den one hour before doors for food & drinks!
All doors & show times subject to change.
Add this event to your calendar:
In the years that followed the release of her widely acclaimed 2015 album Midnight, Grace Potter considered never putting out a record again. Having endured the tumult of the breakup of her band and subsequent divorce— as well as far more joyful events like a new marriage and the birth of her first child— Potter continued writing on her own, but had no intention of sharing those songs with the world. “Too many things had happened, and I needed to take a step back,” says the Vermont-born artist. “There were moments where I thought, ‘Maybe I’ll just go back to painting houses.’”
But by the end of 2017, Potter began to feel the call of the studio and soon started laying down tracks in the Topanga Canyon home she’d recently settled into with her husband, Midnight producer Eric Valentine. Unsigned and entirely free of any pressure to appease, Potter slowly carved out the songs that now make up Daylight: an album that emerges as her most emotionally revealing, musically daring, and exactingly realized body of work to date.
“In the past, I’ve aimed to write songs from a universal perspective; so that anyone who heard my music could relate, but that actually made it harder for me to take ownership of my own perspective. This new collection of songs were all written so that I could process – and be accountable for – my own life experience,” Potter says. “I had just pulled the ripcord on my whole life. It was an incredibly jarring, private experience. When the dust settled a bit, the last thing I wanted to do was tell the whole world about it. It was a very gradual process of re-framing music and its purpose in my life. So when I finally started writing songs again – I did it for me.”
Potter’s seventh full-length and first release for Fantasy Records, Daylight was created in close collaboration with producer/mixer/engineer Eric Valentine. In constructing the album’s wild collage of rock-and-roll, blues and soul, Potter tapped into her tightly honed musicianship while harnessing the untamed energy of her live performance for the very first time. “I had kind of resigned myself to the fact that I was always going to be better live than in the studio – but Eric was determined to tap into that raw energy that I have onstage.” she says. “He chased down a few different approaches, ultimately creating a kind of live music venue setup in his studio, so I could feel the sound reflecting off the walls and interact with the band instead of just singing into a void.”
For Potter, the making of Daylight marks a return to the unfettered creativity she felt upon first discovering songwriting. “I really dug back into the roots of my creativity. When I was 12 or 13, I would sneak away to write songs because I didn’t want anyone to hear me bearing all,” she says. “It was all so honest, because I had no awareness of how people might perceive me.” At the same time, she made use of the masterful chops she’s developed over the course of her career, a 15-year run that’s included playing nearly every major music festival (in addition to launching her own festival, Burlington’s Grand Point North. “Throughout my career, I’ve always been a bit of a tinkerer; experimenting & exploring all these different facets of who I am through music,” says Potter. “But this album isn’t an experiment: it’s a statement.”
As she shares that statement with the world, Potter hopes that Daylight’s fearless honesty might inspire each listener to embrace their own truth, in all its messy complexity. “This album is about being able to take complete ownership of your feelings, without any anger or hate or shame. And that can be absolutely terrifying— but once you get to the other side, it’s exhilarating. It’s the feeling of knowing that you’re finally home.”