$29.50 – General Admission Floor
$29.50 – Reserved Balcony
*plus applicable service fees
On sale now!
All doors & show times subject to change.
Tickets are also available service charge free at The Fox Theater’s Box Office (located on the 19th street side of the theater) on show dates and on Fridays from noon – 7:00pm.
For an additional $50.00, you can opt in to upgrade your experience to include access to the exclusive Telegraph Room before, during and after the show!
Join us at The Den one hour before doors for Happy Hour!
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Born to Scottish parents, raised in Japan and Hong Kong, immersed in American pop-culture, and having attended college in Hollywood, Bishop is a true world citizen. She began writing her own songs at the age of seven, and would perform these unfiltered observations about her life to a captive audience: her family. It is now recognized that this precociousness, coupled with her upbringing, would draw a clear line to who she would become.
Her voice has grit and heft — it is lived-in and unafraid — putting her solidly in the lineage of female vocalists such as Janis Joplin, Florence Welch, Aretha Franklin, and Alabama Shakes’ Brittany Howard. Like those who have left a mark before her, Bishop foregoes restraint and defies categorization, forging a path that is uniquely hers. Though she now sings her own songs in larger, crowded venues, Bishop still performs with the abandon and intimacy of someone addressing a handful of people in a small room. Deceptively composed, Bishop is often only a heartbeat away from howling with joy or being paralyzed by tears. The result is beyond inspiring, and promises to be as much of a transcendent experience for the audience as it is for Bishop.
“Wild Horses” and “River” are singles that present a rising artist who has spent years developing her craft. The emotions are timeless, the sounds are now; “River” juxtaposes the heartfelt, idiosyncratic soul of Jack Garratt and Hozier with the brash, brassy production of Yeezus or TNGHT. Composed in bedrooms, and destined for festival tents and arenas, Bishop claims her music comes from a place of sadness, though it might be more accurate to say it comes from a place of substance. While the words themselves are direct and precise, they encompass grand emotions which are deeply personal yet rendered in a way that invites listeners to project and examine their own experiences; isn’t that what music is supposed to do?
NY-based indie quintet, Joywave, slated for release July 28 with a tour supporting Young the Giant and Cold War Kids to follow. The title, Content, sees Joywave apply their trademark irreverence and humor to two large yet interrelated ideas springing from the dual meaning of the word, “content”, and signaling a move into a deeply personal terrain for Joywave frontman Daniel Armbruster.
Three years have passed since Joywave’s “Tongues” and their collaboration with Big Data on the hit song “Dangerous” first put the band on the map. Creating their own imprint Cultco Music via Hollywood Records, the five members of Joywave—Daniel Armbruster (vocals), Joseph Morinelli (guitar), Sean Donnelly (bass), Benjamin Bailey (keyboards), and Paul Brenner (drums)— embarked on an intense tour schedule in support of their debut album, sharing the stage with Foals, The Killers, Brandon Flowers, Metric, Silversun Pickups and Bleachers. They played at Coachella, Lollapalooza (US & Berlin), Reading & Leeds, Okeechobee, Osheaga, Hangout and Bumbershoot, with appearances on Jimmy Kimmel and Seth Meyers’ shows. Glowing reviews followed in Rolling Stone, Billboard, Spin and Entertainment Weekly.
At the end of the day music is at the core of what Joywave is and drives the creativity in every aspect. Brenner sums it up, “We’re always working on new music and new ways to make our live performance better and better. Joywave will not be confined to a certain genre or niche. We do what we want.”